
|
In other words, for some,
once certain boundaries are crossed, they’ve been crossed for
good. There's innocence, then the loss of innocence. And there’s
no going back. It's a theme Larry Clark seems fixated on. Some have called his work nihilistic, but I disagree. I see his work as having a moral center—even going back to Tulsa—and, yeah, those who cross the line and indulge in wild excess pay a price. This is what happens, he seems to imply, when base instincts go unchecked. All his characters live in
the moment and behave with a total disregard for consequences.
We watch these characters with morbid fascination, watch as
they succumb to temptation, indulge in every whim, and spiral
toward disaster. Kids, his
first film, blows my mind every time I watch it. Larry Clark's
organic, documentary-style approach, his ease and naturalness
with untrained actors, the film's creative editing and clever
use of music. For me, “Kids” is a masterpiece. Bold, unsettling
stuff. Others, like Gus Van Sant, have openly admitted to being
influenced by Larry Clark's intuitive approach. Dolores & Serena:“Ready-made for Russ Meyer— ![]() They were young and immoral!...
|
